I can’t say it enough - Portland’s Twitter community just keeps getting better and better. With it, everyone can meet great people and pool need resources. In just four days, we were able to raise over $400 for a new bike/laptop for @brampitoyo after his bike and laptop were stolen last week.————–
Dear Members of the Extremely Awesome Portland Tech Community,
As you all know, Bram Pitoyo is one of the most involved and valued members of our community. He’s helped organized and implement a million events and made them excellent. And this week, he’s bringing us Lunch 2.0 at the Art Institute of Portland. More impressive is the fact that he bikes everywhere and still manages to make it to almost every tech event in town (and then still has the energy to live tweet and blog).
However Bram Pitoyo lost his bike on the Max last night. It was stolen while he was composing a blog post (the really cool one he’s about to release). This morning, @Mettadore direct messaged me and challenged me to $20 for the cause.
So, I agreed. I have $20 that says we can raise enough money to get Bram Pitoyo a new bike. Interested? Lets keep this on the low-down so that we can surprise him with it.
If you’d like to donate any amount, you can do it through PayPal caseorganic@gmail.com or just bring it by to Beer and Blog this week at the Green Dragon from 4-6 Pm.
Please forward this as necessary. I know I’m missing a lot of people (like @reidab and @billder) A lot of people know Bram. Direct message if possible through Twitter to keep it low key.
Hopefully we can raise enough money by the end of this week for him to get a bike light enough to commute with for the winter. Money is generally tight these days, so if you can’t contribute, don’t antagonize.
Sincerely,
Amber Case, et al.
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Hey Everyone,
A tremendous thanks to those who’ve pitched into the Bram Pitoyo Bike Fund by Paypal already. We’re about halfway there to a new bike! This funding will probably really
Tomorrow is beer and blog. If you haven’t donated already, I’ll be collecting it at Beer and Blog before Bram’s presentation. I know money is generally tight these days, so if you can’t contribute, don’t antagonize.
After Bram makes his presentation, we’re going to be giving the bike fund to Bram. This way, he won’t know what’s coming.
If you’d like to donate any amount, you can do it through PayPal caseorganic@gmail.com or just bring it by to Beer and Blog this week at the Green Dragon from 4-6 Pm.
Please forward this as necessary. I know I’m missing a lot of people (like @reidab and @billder) A lot of people know Bram. Direct message if possible through Twitter to keep it low key.
Thanks so much!
Sincerely,
Amber Case, et al.
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The fundraising went very quickly. When Justin Kistner, founder of @beerandblog invited Bram to give a speech (slides and description are available here) during Friday’s event, I knew it would be the perfect time to follow it up by presenting him with the fund. It’s going to help a lot. It went brilliantly!
John Metta
Marshall Kirkpatrick
Kevin Chen
Barry Cadish
Steve Gehlen
Allison McKeever
Betsy Richter
Amber Case
Mark Dilley
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Nate Angell
Doc Normal
Dawn Foster
Justin Kistner
Kathleen McDade
Mark Colman
Derrek Wayne
Steven Walling
Carri Bugbee
Alex Williams
Todd Kenefsky will be donating a U Lock bike Lock.
Pete Forsyth
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Todd Kalhar
Adam Duvander
Gary Walter
MaryEllen Hockensmith
Jean-Paul Voilleque
Marie Deatherage
Raymond King
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Donations are still open. Simply Paypal caseorganic at gmail.com to donate. Your contact information will be listed here shortly. And if I missed anyone, let me know @caseorganic.
Thanks so much to the entire Portland Tech community for helping out. It’s been fantastic watching the support that’s been given to Bram! Hooray!
Beer and Blog is held every Friday from 4-6Pm at the
Green Dragon
928 SE 9th Ave
Portland, OR 97214
(503) 517-0606
And you can follow the Green Dragon on Twitter @greendragonpdx.
If you haven’t been before, please stop on by! It’ll be an awesome experience; we promise.
When I was six, my mom felt it necessary for me to read the books that she read when she was little. One week, we headed to the Powell’s books of West - the Tattered Cover Book Store in downtown Denver, Colorado. A few hours later, we were on our way home with a stack of 14 books with interesting titles and covers.
Which 14 books were these? The Oz Books of course. It turns out that besides the Wizard of Oz, author L. Frank Baum (1856-1919) authored 13 sequels to the original favorite…mostly due to letters from his adoring fans. When he died in the early 1900’s, his illustrator took over the writing process from him, and wrote an additional number of books. I never read those. I was a stalwart L. Frank Baum fan and left it at that.
My mother had hardback illustrated originals of all of the Oz books when she was growing up. However, she only had one left when I was ready to read them. This was the fourth book, called Dorothy and the Wizard in Oz. It was falling apart from its bindings, but it was the first one I read. It was also one of the last books on my parent’s shelves that I read. They knew they had to do something or I’d keep reading the 1960 World Book Encyclopedias and have a brain full of interesting but obsolete knowledge.
Hence, the entire Oz Series was purchased in one night. Most of them were cheaper paperback versions of the original hardcover editions. I soon found out that this allowed greater portability.
The next 4 months of the photo album were nothing but pictures of me reading the Oz books in windowsills, treetops, cupboards, swingsets, the breakfast table and a number of restaurants, car trips, and hotel rooms.
I think this period of time might have influenced my future self quite a bit. You see, the Oz Books were full of alternate realities, cultures, and societies, and showed how a core group of characters interacted with them. There were flat headed people, Wheelers (creatures with shopping cart wheels for feet), people cut out of paper, talking hens, and even the H.M. Woggle Bug, T.E. (H.M. stands for Highly Magnified, and T.E. for Thoroughly Educated) who I did not like very much as a character, but admired for his ability to make knowledge pills that one could swallow in order to educate oneself.
The Oz Books added a distinct layer to my thinking process, and made it even more difficult to go to sleep at night. Before I went to Preschool, my dad thought it was important to teach me how to build model rockets, solder LEDs into circuit boards, and understand the laws of physics, gravity and wormholes.
So already I was up all night thinking about time and space compression, the fourth dimension, and new forms of technology, I had the bizarre cultural explorations of the Oz characters to add to this. This is probably what led me to read the first five pages of my book on sociology in college before grinning wildly and running to the admin office to declare a concentration in sociology/anthropology.
When I first moved to Portland 3.5 years ago, I discovered that it resembled the Land of Oz quite a bit. Portland is very green, much like the Emerald City, Compared to Wyoming (where I lived for four years before moving out West), Portland is a fantastic place where anything can happen at any time. paradise.
The Land of Oz does not just consist of the Emerald City — it has four quadrants that surround it. There’s the Munchkin Country, the Quadling Country, the Wikie Country and the Gillikin Country. Each one has a different flavor and type of inhabitant. And when you really think about it, Portland has similar quadrants. And Portland has a bunch of different characters too.
So maybe I’m Dorthy, or a Sociologist or Anthropologist or something like that, but I begin exploring the different sections of Portland the moment I realized that it resembled the Land of Oz. Now that I’ve finished college, I’ve decided to live in each quadrant of Portland for a few months in order to check out the all of the awesome inhabitants that exist around here. I lived in SW at the beginning of the summer, then moved SE for a month, and now I’m living in NE, right off of Killingsworth and Rodney Ave. It is my favorite place so far. I live in an enormously ancient house, and I can ride the Max into town every morning. Compare that to SW, where only cars can survive.
I’m considering St. John’s for a little while, but NW will probably be end my tour of Portland. There will be a lot to write up after the tour is finished, so I’ll need a small place with a table and close proximity to downtown. So that’s about it. I’m sure I’ll be able to hang out with some amazing people out here in NE for the time being…and might even stay here for a longer period of time than I previously planned. Kerry Finsand, Derrek Wayne, Katherine Gray and many other Tweeple live out here. I’ll have to watch Shizzow.
If you live in the area, please let me know, and we can meet up at some point! If you know of any great places to eat or coffeeshops in the area, please let me know as well. It’s the most exciting quadrants I’ve experienced so far.
This particular session was located on NW 8th and Couch Street in artists place that was currently under construction. There was a random amalgamation of wooden benches on the floor facing a large presentation screen. The event was free, and so was free wine and beer. Not bad for a Tuesday night of entertainment!
At 6:30Pm the room was already filled to capacity. There is a large oriental carpet in front of the large projection screen, and the audience overflow is sitting on it.
Pecha Kucha is a Japanese word for the sound of conversation, or chit chat.
It is a presentation technique in which the presenter shows 20 images for 20 seconds each.
In this way, an audience can absorb a large amount of information very quickly, because interest is kept up by the rapid change of images and speaker engagement. It’s a way to remove the annoyance that a standard Powerpoint presentations often bring to standard meeting experiences.
Brahe received his B.S. in Architecture from Portland State University, and he has a passion for ethical design and strives for a better way to build.
His presentation started with an audience participation exercise. He had the right side of the room begin to snap their fingers, and got the middle of the room to begin rubbing their hands together. He made the left side of the room made slap their thighs. Then he urged everyone to do their part faster and louder, until the place was filled with a great amount of percussive noise.
Then he made everyone stop.
There was dead silence and darkness; then the first slide showed up on the monitor.
The presentation involved architecture. One of the best slides demonstrated a beautifully formed pedestrian bridge that had been built over a freeway near Ft. Vancouver. He said that this bridge would be opened to the public soon.
The image of the land bridge spanning over the highway was intense. It looked as if green grass had grown all over the highway in an organic arch, partially eroding away the concrete. In reality, the bridge was allowing animals and humans a way to cross over previously impervious territory.
There were a number of other architectural projects shown, including a tall bird observation tower in the middle of the forest with a long ramp all the way to the top. Brahe is also employed as a project manager with Maya Lin (the architect behind the Vietnam memorial in Washington D.C.) on a multi-sited art and architectural installation.
This presentation detailed a future interactive installation at the Disjecta art space in North Portland. The show encourages viewers to “See, feel, open, and act”, and “Find words that begin to transform the present”.
“We abolished slavery, except as a punishment for crime”, the presenter said.
The pieces were about bridging the gaps in multicultural understanding in Portland. One of the most poignant lines: “Don’t let anyone forfeit untapped potential”.
The art show opens Saturday, the 23rd of August from 6-9 pm at the Disjecta. 8371 N Interstate Portland Oregon 97217.
Gallery Hours are Fri-Sun Aug 24-Oct 25 / 12-6 pm, and the Artists Talk is Wednesday, October 1st at 7 pm.
Bill Dieter started Terrazign, Inc., a Portland-based industrial design firm in 1994. The firm works primarily with fabrics and hard woods. His interest is in “integrating the worlds of hard and soft”.
One of the first slides demonstrated a trade show booth for a snowboarding company. He was able to integrate zippers into the polished plywood panels to allow the tradeshow display to be zipped together into a study shape and unzipped
into an easily transportable shape once the trade show ended.
“This is the only time I’ve ever gotten splinters from sewing”, he added with a smile.
He showed off other industrial objects from his firm, including an all-weather enclosure for Segways that made the little personal vehicles look even more ridiculous——>in a good way. Here’s a link to an article (and photos) of the invention on Engadget called Meep Meep.
The next series of slides ranged from inflatable car seats for toddlers (saving time, space, and weight), and Compression backpacks, which do pretty much the same thing while looking awesome at the same time.
He outlined some of the military projects the firm has worked on as well, including a backpack with a hydration frame that made water the structure of the pack.
“This solved the largest issue of military life, which is hydration”. Placing hydration at the center of the bag allowed the soldier the capability to modify what they needed, because the backpack was also modular.
Terrazign created a series of collapsible hurdles for Sparq, a training division of Nike. They’re lightweight and foldable, and can withstand and structure serious training.
They also developed weight vests, which were made from monofilament fiber mesh that allows for air flow.
Perhaps the most interesting part of Dieter’s presentation involved images of NASA members training for space missions on vertical treadmills. The treadmills were developed by Terrazign to create artificial gravity and the ability to retain bone density while in space. The vertical treadmill is effective because of its capability to simulate gravity equal to body weight.
A group of guys that were playing a series of Mexican folk songs on guitars strode by the event space while we watched a man running on a vertical treadmill on the screen. It was a strange juxtaposition of elements that made the audience consider really what they were looking at.
You can see images of the Vertical Treadmill at the NASA Website.
Severin began by telling us that he was going to do a presentation about Italian Airplanes. He was wearing a leather coat, airplane goggles, and a big black biker helmet.
Apparently, he was a Vespa enthusiast. He showed pictures of pinup women riding the bikes, and even had a whole series of them inside the presentation space. The entire presentation was developed with a zany Swiss accent, which made his ability to make the crowd laugh even greater.
“Who thinks a Vespa is a toy?” he smiled, “I don’t”.
He showed an image of his group of Vespa riders doing all sorts of interesting activities, and then one of his personal collection of Vespa bikes.
“The best thing about a Vespa scooter?” he stated, “You have four…or ten”.
Want to join the fun? Check out the Portland Vespa Group for more adventures.
“I’m going to do a presentation on Contemporary Classical Music. It’s kind of an oxymoron. Contemporary and classical shouldn’t go together, but they really do”.
“I figured that it is rather difficult to talk about music, so I brought four pieces to share with you, all of which have something to do with Portland”.
He then began to play each piece. Each song had four slides associated with it - a title slide, a picture of what the often complex music looked like, an image of the composer, and an image of what the original cover of the pieces looked like.
These four elements caused a greater understanding of each piece than if simply the music had been played alone. The images of the composers were probably the most compelling of all of the images.
Two Celebratory Fanfares (1995)
Composer: David Dzubay (b. 1964)
Performers: John Rommel, trumpet, Edmund Cord, trumpet, Thomas Brown, trumpet, Richard Sandals, trumpet, Amy Schendel, trumpet, Robert White, trumpet, David Dzubay, conductor.
Incidental Music to Corneille’s Cinna (1955-1957) whose cover looked like an old book.
Composer: Lou Harrison (1917-2003)
Performer: Linda Burman-Hall, tack piano.
theater of mineral NADEs [excerpt] (1998)
Composer: Eyvind Kang b. 1971.
Performers: Eyvind Kang
Here, Packwood showed an image of one of Kang’s conceptual sketches. It was as intense as the image of the composer. Extremely detailed and poignant. It told the story of the composer’s mind almost as well as the music.
Open up your Ears. Composer: Bryan Johanson.
Performer: David Starobin, Guitar.
This was an overwhelmingly beautiful piece, and it was a classical piece inspired by a line in the Jimi Hendrix song ‘Can You See Me?’.
Packwood’s presentation was excellent because he chose to let the music speak for him.
If you want to learn more, please check out Packwood’s site Art of the States.
Greg received architectural training from Tulane University, RISD, and , most recently, the Bartlett in London. He has created exhibits and installations shown in venues from Tyron Creek to AIA Portland Gallery to the recent “PDXplore: Designing Portland” exhibit at PNCA. Before moving to England, Greg worked for Hoist Architecture.
Barton was attending Tulane University in New Orleans until Hurricane Katrina displaced his life. The event that caused 81 billion dollars in damages is still affecting the lives of many residents.
He reminded the audience that the hurricane has not finished its toll on the residents of New Orleans. There are 150,000 families still living in FEMA trailers, with an average of three per trailer. Many refugees live in FEMA villages, or “FEMA-villes”.
A far cry from the luxurious representations of trailers from the 1950’s in advertising, there are many health hazards present in trailer life. For instance, Formaldehyde exists in dangerous levels, and there have already been many C02 related deaths.
He then showed how pragmatic restraints began to reshape the public sphere. Some families had placed white picket fences or stone lions in front of their temporary/permament trailers in an attempt to trick their minds into feeling like they had an actual place to live.
Meghan Sinnot came to Portland from Alaska and attended Lewis & Clark college to study Anthropology. Since it was way up on a hill, it was not easy for her to explore the surrounding Portland area without taking a long trek downtown on the college-supplied bus.
Then, Meghan discovered biking. Now she is an part of SHIFT, the Portland bicycle advocacy group.
She began the presentation by taking out a bike and pedaling on it while telling the room about her history.
“Who rode a bike here today?” she asked us. Many hands went up, including mine.
“What we do here at SHIFT is basically an ad-hocracy,” she stated, “but we do have a stash of cash in someone’s basement that they let us get at sometimes”.
She talked about the group’s attempts at serving breakfast to bike commuters on the bridges in the morning. And she talked about Critical Mass, Zoo Bombing, and Pedapalooza—a few of the great Portland bike events that serve the educate and create a nice ground for future bike advocacy.
“In Guadalajara,” she said, “there is one vehicle for every three citizens”.
You can find out more about Portland Bike Culture at shifttobikes.org.
One of the presenters was masked, and the other unmasked. They talked about the modern condition, asking questions such as, “does the mask control the wearer?” (or does clothing or career control the subject?), and snapshot culture. Click Click Click Click Click Click. Tick tock, Tick tock.
I would write more, but I can’t really describe what they said in the way they did. I was very impressed though, so I am including some links to their work here.
Read more about TJ Norris, and his show at the New American Art Union. There’s also an article history for Chas Bowie at the Portland Mercury.
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I highly recommend attending any Pecha Kucha event. If you’d like to learn more about upcoming sessions in Portland or elsewhere, and possibly sign up to present, visit http://www.pechakuchaportland.org/.
For more information regarding ciyscope and upcoming events, please visit www.projectcityscope.org.
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W.PA - Works Partnership Architecture, LLC
Architecture Foundation of Oregon
FordGraphics
A to Z Wine Works (Delicious).
Quixote Investments (add this link).
Rogue Brewery
Art Institute of Portland