Sites like Smashing Magazine are always releasing free icon sets. However, I wanted to make something custom for OakHazelnut.com. With this in mind, created the following icon set for my Twitter, Flickr and RSS profiles.
![]()
The set is free to download and free to use. However, if you use the icons in a commercial project or on a client site, please link back to http://oakhazelnut.com somewhere on the site. A big thanks to Bram Pitoyo for helping out with the shading. Enjoy and happy socializing!
——–
Amber Case is a Cyborg Anthropologist and Internet Marketing Consultant from Portland, Oregon. You can follow her online @caseorganic.
In the analog state of PR, people would have to manually check out how many times a brand was mentioned in newspapers by hiring a bunch of people to clip out the actual articles from the newspapers. If one’s clippings were really great that week, they’d have a big stack of paper.
Some of the first industries to capture digital data real-time were hedge funds and other financial firms. They used something that resembled an intelligence dashboard — where different streams of data were needed to make complex decisions. The dashboard allowed users to see many different stocks at once, and companies were able to create a sort of proto-feed that showed many different ecosystems of data at once.
Now, services like Netvibes and Yahoo! pipes can be mixed together to offer companies real-time intelligence feeds that show what their competitors are posting on their blogs, what people are saying about them on Twitter, and their overall online presence — all in one place.
Making these intelligence dashboards takes time and research, but the value added (not to mention the time saved) by the implementation of a centralized data source is immense. Also, it’s powerful enough for agencies that manage multiple clients, because the entire system fits into one browser window with a series of custom, labeled tabs.
All brands have an analog version of this, and some have a digital one — but all brands need it. Google Alerts is a temporary solution that is gritty and granular. It does not have the customization capabilities that Yahoo! Pipes and Dapper have. Intelligence dashboards are capable of handling the data generated by global and local brands as well. They can monitor Flickr photos, news items, blog posts, ect. Basically, any piece of dynamic content that moves online.
—-
One of the best brand managers out there is Portland’s Dawn Foster. She has a collection of excellent resources (like Yahoo Pipes and RSS Hacks) on her blog, Fast Wonder. She’s actually the first person who introduced me to Yahoo! Pipes.
Convergence culture has moved swiftly from buzzword to industry logic. The creation of transmedia storyworlds, understanding how to appeal to migratory audiences, and the production of digital extensions for traditional materials are becoming the bread and butter of working in the media. MIT’s Futures of Entertainment 3 once again brings together key industry leaders who are shaping these new directions in our culture and academic scholars immersed in the investigation the social, cultural, political, economic, and technological implications of these changes in our media landscape.
The speakers and audience will be a mixed industry and academic crowd, and the diverse topics grouped together will give the conference both broad coverage of the new media and entertainment space and deep engagement across industries and disciplinary boundaries. This year’s conference will work to bring together the themes from last year - media spreadability, audiences and value, social media, distribution - with the consortium’s new projects in moving towards an increasingly global view of media convergence and flow.
Topics for this year’s panels include global distribution systems and the challenges of moving content across borders, transmedia properties, franchising and world building, comics and commerce, social and spreadable media, and renewed discussion on how and why to measure audience value.
The conference is on the 21th and 22nd of November at MIT. It works around a talk-show style model with panelists participating in a moderated discussion. Over the last two years this produced great, thorough treatments of the subject matter, getting industry and academic speakers together but avoiding product pitches. For a sense of what to expect, you can check out the site from last year’s event.
This will be the third conference of this kind.
Confirmed speakers for this year’s conference include: Javier Grillo-Marxuach (The Middleman), Alex McDowell (Production Designer, The Watchmen), Kevin Slavin (Area/Code), Donald K Ranvaud (Buena Onda Films), Amber Case (Cyborg Anthropologist and Social Media Consultant), Mauricio Mota (New Content [Brazil]), Alisa Perren (George State University), Amanda Lotz (University of Michigan), Sharon Ross (Columbia College Chicago), Nancy Baym (University of Kansas), Alice Marwick (New York University), Vu Nguyen (VP of Business Development, crunchyroll.com) with more to come.
Thanks to Joshua Green of MIT’s Convergence Culture Consortium for hooking me up with this excellent opportunity!
On Sept. 4+5 an interdisciplinary thought-leader event will hit Portland. The name of the Conference is Inverge: The Interactive Convergence.An interdisciplinary event that focuses on the convergence of media platforms, of virtual + physical, content + advertising, and corporate content + consumer-generated content.
The presentations are high-level, informative and conceptual, pointing the way toward the future and facilitating advanced professional development.
Inverge brings presenters and attendees together from a variety of professions and disciplines to explore changes and opportunities presented by the increasing digitization of media, the democratization of distribution and the proliferation of connectivity into new areas.
As a Cyborg Anthropologist, I am very interested in this conference. I’ve been studying convergence culture for as long as I can remember. It is one of the most unique and challenging subjects that has ever struck humanity.
Steve Gehlen, Inverge organizer and founder of the Internet Strategy Forum invited me to speak at the event. I’ll be presenting a lighting talk on Friday, September 5th at 1Pm.
The invention of the telephone ushered in an era of ‘on-demand’ social connection. These conversations were freeing, but were still limited to location and time. As communication technology matured, telephones became detached from their cords and were allowed to travel with their users. This detachment from location allowed conversation to happen in more times and more places.
As the amount of time and space between nodes of connection decreased, the intersection of rapid news methods such as blogging, mobile technology, and chatrooms begin to merge. This convergence allowed dramatic increases in the ability to rapidly convey information to others. Instead of engaging with one person at a time, many are now capable of talking at once. No where is this more prevalent than on Twitter. It has found ways to connect communities, stave off suburban isolation, and warn of earthquakes before medical help can access them.
Portland’s Scott Kveton, Chairman, OpenID Foundation, VP of Open Platforms, Vidoop.
You can view the rest of the featured speakers on the Inverge Website.
Joshua Green, Research Manager, Convergence Culture Consortium at MIT.
Renny Gleeson, Global Director of Digital Strategies, Wieden+Kennedy.
If you haven’t already, you can still Register for Inverge.
All Inverge 2008 paid registrants will receive a complimentary copy of the JupiterResearch report entitled Media Trends: Understanding Change Catalysts, published earlier this year. This represents a $1,500 value. If you happen to be a company, this report will probably be very useful to you.
Thanks for reading Hazelnut Tech Talk! If you’re interested in continuing the conversation, feel free to comment on this post. You can follow me online through @caseorganic or E-mail.
Today at 2Pm, all of the members of Portland Advertising Federation’s Colaboratory program presented their final marketing plan to Sameunderneath, a local sustainable clothing company.
Team Lattice showed a 5 minute video about their experiences before delving into the presentation.
Some of the brilliant ideas they came up with were as follows:
“People who give a Damn”
And for people who love music——>Advertising on Pandora.com”
Lattice team members ended by handing out stickers to everyone in the audience, saying, “Please, finish the statements on these “biodegradable, non-toxic stickers” and place them in locations that are poinigiant (and
Ryan Christensen, Founder of Sameunderneath said, “this idea is genius…(holds up the stickers with fill-in blanks) …when I first began Sameundenerath
I was live blogging the Colaboratory Presentation as it happened, and I received a reponse to the stickers from @willtorres from Los Angeles, California.
@willtorres: “@caseorganic yeah, i love the stickers idea a lot. i was going to imitate a project i found with stickers throughout the city.”
Looks like their idea will be a great success.
—————–
Luke Rolka:
Sameundeneath started as an educational curriculum…an idea. Now it has transformed into this business model. This socially responsible business.
“What we want to do is take this and make it big — move it national”.
“We want to take Saemunderneath and turn it into a model of super awesome success”.
Bryan Davidson: Even as Samunderneath grows, there are certain values that must stay the same.
Bryan Davidson’s words were, true, charismatic, thoughtful and provocative, which mirrored exactly the bullet points on the screen.
“You’re not just selling clothes, you’re selling a value system.”
“It is important to keep things small while thinking large. So we propose a new role of Community Director, because the world needs more Ryans.”
Luke Rolka: Consumers these days are really looking for ways to engage in a brand.The director is taking the Sameunderneath values and living and breathing them…becoming the representation of the brand. here in Portland. Then they can take that knowledge and adapt it to a city that they’re going to be running, and see how they can do it there.
Christine Vo: Sameunderneath is known very well in portland right now, but we want to take that internationally.
A way for designers to really get their name out there and show off their work.
This was a decidedly different take then the music /urban street appelation basis of the Team Lattice presentation.
Founding of a Corporate Magazine, each zine with region focus, showing what each of those locations are doing with their local community and the Sameunderneath brand.
Then Unveiled a New Website: in which each of the pages have great design, Documentary Series, Philosophy, Community. “Get Involved” tab.
“What would you say to the world if you had 30 seconds to speak your mind?”
Rebels are encouraged to speak their minds on any subject and submit the video to the Sameunderneath website.
In order for you to grow, you have to engage with the customer. How better than by growing pieces of paper? Flyers embedded with Wildflower seeds. They can be buried in the backyard and have the words, “grow your paper and your ideas”.
“Each city’s flyer will have a different skyline, and we will try to get local artists to do the images for them. At every point, it is important to get local artists to do things for the compay…all these things create sustainable organic growth frr your company.
Then at the end presented a marketing plan roundup which included:
~.——————–
Now Ryan has to choose. It is a very intense decision. He leaves to use the restroom.
Sameunderneath had a 1.5 million growth revenue last year. The company is interested in affordable and efficient marketing methods for growth.
It all comes down to the customer base. Are they artsy and into film? Are they into music? The marketing plans seem to target slightly different demographics. Lattice presents an urban grassroots music-base, and Kiwi defines the demographic as a more thoughtful, artsy, film-loving creature.
The success of either marketing plan all comes down to what best fits the true demographic of Sameunderneath consumers.
To Team Lattice: One of your best points was the paper; that pamphlet that has the story that goes into the stores to educate the people. Something that each floor sales staff can read to better understand the product.
To Team Kiwi: We’ve been doing flyers since the beginning of the company, but now we’re starting to do personal invitations. It’s a way to say, we don’t want to waste your time with pieces of paper. With a private invite, people have to go out of their way to ask their friends to attend an event, and it is more word of mouth than objective and detached.
Ryan: This is a really difficult decision. They’re two different plans.
I really liked the fact that Team Lattice had the fill-in sticker that told the story of the brand. At the end of the day, it’s a new version of “hello my name is” Things like that are so personal and so engaged with community. It could go anywhere and be filled in with the culture of that community, that space.
To Team Lattice: I thought you ladies did a great job and restrained it to what really matterned.
In addition, your presentation’s marketing recommendations started small and then went big, just like how Sameunderneath should be growing. If you had shown me the magazine in the beginning, I would’ve discounted it right from the start. Do you have any idea how much it costs to publish something like that?
To Team Kiwi:What I really liked a lot was Bryan. You were kind of the leader of the pack. It wasn’t a presentation—you were being you.
Ryan buys enough time to think, and then makes his decision. It is Team Lattice. But he points out that he doesn’t want to make a decision at all, because both teams came up with exceptional ideas.
“I would like each and every one of you to E-mail me,” he says, “and each of you to come to visit my creative team. I want both teams to be there to put in opinions and voice their two cents.”
Ryan added that, “Between now and the end of the month—everything in the store is $20 from now until the end of the month. Just let the store staff know that you’re a member of Colab and this discount will be available to you”.
According to Malcolm McCullough, author of Digital Ground, “Design is the Product”. Design is what people experience, what they see…all text, all seen and unseen material. It is that Psychology of space that design induces that makes a person feel positively or negatively about a space or thing. Online voluntary communities need a base under which to interact. They cannot be forced into acting voluntarily. They must weave themselves into the brand’s story.
I believe Team Lattice did this the best, because they created three distinct and affordable ways in which consumers could weave themselves into the brand’s story while helping to tell that story. The hang tags describing each piece of clothing and the company’s philosophy, the fill-in stickers, and the concert were all integrating factors that weaved the brand into the lives of the consumers.
It has been an amazing experience watching the #Colab members interact with each other and their agencies. I can’t wait to watch how they develop in the future. I’ve never seen such a dedicated and intelligent group of designers work so hard on a project before. Kudos to everyone. Team Lattice and Team Kiwi will go incredibly far, and soon.
Sponsored by the Portland Ad Federation, the COLAB project believes that “Interning at 1 agency is so pre-millennial”, and takes a different route in inspiring the creativity and professional education of its interns.
From the Colaboratory website: “COLABORATORY takes place over 6 weeks in Portland, Oregon. 10 participants are selected and individually paired with 3 of the 11 agencies based on their strengths and interests. Interns spend 2 intensely focused weeks at each agency learning from all disciplines”.
Also check out the Team Lattice business card: It grows with their ideas.

All of the members of COLABORATORY have been blogging about their adventures since their first day. Bram Pitoyo built a way to follow all of the action at once. It also checks the latest Twitter conversation that’s hastagged #COLAB, so you do none of the work and get all the results. Check out Bram Pitoyo’s COLAB Feed Aggregator from Yahoo! Pipes.
Today, Bram Pitoyo and I visited CoatesKokes to see what the Portland Colaboratory members were up to. The two Colaboratory teams were hard at work on their final PR and Marketing pitch for Sameunderneath. We watched them interview some CoatesKokes employees about what the Sameunderneath brand stood for. After about an hour of this, James Rice made a visit and let the team in on some strategic presentation advice.
James’ advice came at the right time — both teams have only seven days left before their final presentation to Sameunderneath. With only a week left in the program, he aimed to give them strategic advice on creating engaging and successful Marketing/PR plans.
James Rice is the Digital Brand Strategy Director at Ascentium, an agency specializing in interactive media. He has an intense track record. During his 15 years of agency experience, he’s only lost 5 clients. Compare this to baseball, golf, or the Olympics.
———————————————————–
James Rice: One of the things that most people forget, especially at your age, is that the concept of a team is very important. Never lose sight of that.

photo credit: Capra Royale
One thing we pride ourselves on is that everyone feels like they can work together to execute to that client’s expectations.
For instance (he pointed to Colab member Christine Vo, who was sitting to his left) if Christine and I were presenting to a client, a sort of conversation could go on between the two of us. It wouldn’t be like divisional, like assigning one person slides 3 and 5, or dividing up the work.
If you have the appropriate discussions in front of customers, that will speak volumes for people wanting to hire you.
———————————————————–
There are some errors that most BDA (Big Dumb Agencies) make in presenting to potential clients. One of them is that they are used to pitching the team. CoatesKokes doesn’t do this.
It’s not about the people, or the history of whatever. Introduce your like this: “This is Joe, and he’s the account planner, and Sarah is the copywriter”. That way, the client sees what the agency is going to do, not what its people did in the past.
In case the agencies are listening, the idea of a BDA is not mine. George Parker coined the term on his blog AdScam.
He lived in Boise Idaho, and is a kind of blogger pundit. I highly suggest reading his work, as well as Marktd.com.
That all said — act as a team.
———————————————————–

photo credit: gcoldironjr2003
1. Clients want to hire people who are enthusiastic about the business — who have taken the time to learn — who work together to challenge each other. At the same time, never be afraid to challenge the brand’s assumptions.
2. Be very organized in your thoughts — you have to be able to tell the story. Always pretend there’s a director over your shoulder, or that you’re presenting to your own camera.
Those are the two big tenants of presenting well.
———————————————————–

photo credit: jurvetson
Clients want to see that you’re passionate about the presentation.
But don’t put everything on the slides. If I see slides with more bullets on them, I’ll probably scream.
OWN the room when you step in. What’s on the glass or projected, will fill the gap.
What is most important is that you’re standing there with your team, and you’re passionate about what you say.
———————————————————–

photo credit: Georgieporge
I was in my car the other day, and Posion’s Every Rose has its Thorn came on the radio. I listened for a moment and then switched over to CD. That Niel Young’s Cowgirl on the Sand. That was much better for some reason.
What made it better? It’s the same when it comes to presentations.
What we want to do in presentations is to get someone to think uniquely, or to present something that shows we’re unique. The phrase “Cowgirl on the Sand” shows something to our mind. It really conjures up an image. It is also unique, while the phrase “Every Rose has its Thorn” is overgrown; cliche.
Always try to come up with polarizing and intriguing things, and be very vocal; personable.
(At this point, James Rice began to wave his hands around a bunch).
Also use a bunch of hand motions.
(He pointed to the whiteboard behind him).
———————————————————–
Once we went on a pitch and won HP as a client against a big competitor. We presented without laptops and Powerpoints and just brought in a whiteboard. That way, we could actually involve the clients in our presentation. They could watch it develop instead of sit there on the screen — this unmodified, ungrowing series of static images.
That’s one of the things I’d like to see in every presentation room. A whiteboard on which you could project a presentation on the lower part of it.
———————————————————–
Sometimes you come in, and there’s stuff that sometimes doesn’t work. White boards solve that. When possible, always have a backup. You shouldn’t need a Powerpoint to pitch an idea. It should be there in your head, and the head of your team.
———————————————————–
James Rice: Lets talk about the Colaboratory presentation to Sameunderneath. How much time do you have?
Colab Member: 30 minutes for the pitch, and 15 for questions and answers.
Another Colab Member: No, it was just 30 minutes.
At this point, the team realized that there was a discrepancy of time-knowledge amongst them.
James Rice:
This brings up a good point. There should be that one point person who is in change of the entire thing. There always should be a pitch leader who is collecting all of the ideas. Everyone will take care of parts and pieces, but there needs to be part of a collector.
———————————————————–

photo credit: Steve & Jemma Copley
Never spend time on welcomes. I’m probably the only team that doesn’t do biographies. With Linkedin, Facebook, ect. out there, and there’s a good chance they know it is you.
As soon as you state, “I did this”, your design work becomes about your past.
If I could bestow any philosophy — it’s all about what you did — it’s about what you’re doing.
———————————————————–
Don’t thank them like, “we’re happy to be here”
I’ve seen it done where people are so soft, like “I really appreciate the time”
Clients want actionable people that are ready to hit the ground, who are ready to kick some ass.
Say: “On the left there’s Chris Stein.
If you introduce her, it begins to be like a team.
———————————————————–
On the screen, you can’t do the kinds of things you can do on the white board.
(He goes to the board behind him)
I just did this in a pitch the other day. I called it this area on the board, and made it the impact zone.
Instead of having an agenda — there are other certain things you can do, like you can take little sticky things and put down the thoughts on each other, and then start to arrange them into logical clusters.
—-
So then there’s these points of impact, and you can put them on the very first slide. For instance it can say the six things we’re gonig to do for you.
For samenunderneath you’re impact zone is going to be brand, exposure, orginality…ect.
What else do you want to do?
Do you want to create a new customer? Attract a new customer?
———————————————————–
If you just put one or two words here and tell a story around them.
If I were pitching for Sameunderneath I’d probably be like “we’re here today because you’ve had a large impact to a very unique set of customers in what you’ve done for the last nine years…” We’ve looked at what kind of impact you’ve had in the marketplace.
If we were look at your brand expansion and how we can bring about greater exposure through your “market expansion plan” (adding sometimes its fun to put in phrases htat sound big)
today we’rll talk about how you can re-imagine your plan.
Lets look at brand experience, social retail. It is these thigns that will increase your exposure in the lines of your market plan.
Sameunderneath will take on this exposure and expand on it.
When I talk about a markting plan I have certain fears.
ROI would be on there.
(But I hate the word ROI — I’d prefer rather to use measurement…or culpability).
I’d have a statement and the impact points of ‘experience, authority, understanding.’
When I talk about experience a story is already starting to unfold.
Powerpoint presentations makes us be explicit.
I try to rip those bullets out and say them, not show them.
A slide can say “new ideas have the power to break boundaries set by others’ assumptions.”
———————————————————–
You can also turn the presentation…not to your brand but to their brand.
Build the presentation like you work for them and put their brand on the bottom of the slides.
We do a lot of quite a few pitches that we do at Ascentium, and the strategy used depends on the type of pitch. If it is a type of social media strategy, then that comes on our deck (our brand and feel).
———————————————————–

photo credit: Richard Jones
We put all our presentation material on the network drive and it’s a mess.
Even though the presentation material is there, every time I build it from scratch.
———————————————————–

photo credit: alicepopkorn
I have a delicious tag called inspiration…or “fucking rad”.
They’re where I go when I need inspiration.
Another thing I go to is Flickr.
If I’m stuck while making a presentation, I get what I want to say, and then create those keywords. And I build a slide desk with just thoe images.
And I begin to fill in those gaps “what do I want to say”.
Sometimes I put those ideas on notecards.
Question: What advice would you give to someone not as comfortable with presentng to a group?
James Rice: There are some amazing creatives that don’t want to pitch. They want to contribute to ideas.
I don’t pracice creating or programming anymore.
In the big picture, I’d probably, over time, find out where I’m there on it.
I have to ask the question of whether I want to pitch, or do I want to contribute a lot of really great ideas that are on the pitch?
In the case of Friday…get over it!
You’re gonna have great ideas…
You’re too young to be nervous.
———————————————————–
If your image is about expansion, find images of storefronts on Flickr that exist in other locations. Map the Sameunderneath logo onto them and see what happens. How does Sameunderneath fit in other ecosystems?
How could Sameunderneath fit into other cultures and other audiences.
As we looked at your plan of expansion…then do a map.
———————————————————–
People love circles by the way
And if you draw circles and shit…
(He shows the group a slide filled with various objects).
Then clients will love it. They have the capability to show growth and change.
If you can draw what you’re trying to say people are going to love it. You’ll be so successful.
———————————————————–

photo credit: audreyjm529
(Points to the board — where many ideas are listed).Man…this could be a slide of 26 bullets.
James RiceDon’t increase the number of slides to decrease the nubmer of bullets.
What I’d do is macrovisualize what I’m trying to visualize.
(Points to the jars of M&M’s on the table… (see, M&M’s are not triangular or square. They’re circular).
———————————————————–
James Rice began by drawing a vertical line on down the white board. One one side of it, he drew Sameunderneath.
James Rice: Here’s Sameunderneath .. it’s made a great impact on 18-24 year olds.
Then James started circling the logo, adding concentric rings around it that were larger and larger as they progressed. He led them to cross over to the right side of the vertical line.
James Rice: And here’s where we need to take it. This is why circles are powerful — they show the progression of time.
Where we need to take it is the 30-40 year olds…and increase the core audience. Then, as time progresses, the 30-40 year olds need to be come the main audience.
Try to draw you what you’re going to say.
———————————————————–
Instead of saying here’s what succeeded, I’d like to tell you about something that failed.
It’s fun to give you advice based on a thing that didn’t work .. because it is easier to see know what went wrong.
I’ll tell you what went wrong this time.
We hadn’t met the client before, and we were up, literally, for 61 hours.
Thus, we had no context, and with only three days to prepare, it was pretty much impossible.
We should’ve been more prepared for it; I should’ve told them no.
But we all realized we liked the three day thing.
Because when you have three weeks, you smash all of your ideas against the wall. You force yourself over them too much, until they become less of what they were before.
Like my writing professor in college said — write it. And then you’rll rewrite it and rewrite it and rewrite it. But just write it.
———————————————————–

photo credit: dennis and aimee jonez
Don’t stay continuously working on something. You need to give your brain a break.
More importantly, focus it completely for a while, and then step back.
(He examined the presentation on his laptop).
I also used the colors and blue…maybe that was the problem.
I also didn’t use rounded corners — against my best intentions.
I’ll give you a secret — brand voice is what happens when you come in with
Your goal of the presentation is to distill it down into memorabale, topical, organized pitches.
You should have over 15 slides, ideally. And talk to your slides — they’re meant to work for you. They’re also touchpoints.
———————————————————–
“When will you be pitching?” He asked the Colab Members. “Will you be practicing?”
It was stated that team Lattice would be practicing at Studio Bard on Wednesday.
James Rice: Does everyone have soem Sameundernath clothing?
I might do that if I were pichng htem as a client. It’s more gimmicky — but it shows that you’re all invested in the brand.
———————————————————–

photo credit: seanmcgrath
Look over your documents and come up with 10 great things that you really remember.
Make sure those ten things are what is remembered when you walk out of that room.
———————————————————–
Come up with your own type of visual analysis.
Everything dyou do should be expressed visually.
(James went again to the whiteboard and drew circles).
James Rice: Here’s our biggest MINDSHARE competitor.
Here are some very unique ways for you to expand your customers…and increase their mindshare.
———————————————————–

photo credit: Ana Filipa Machado
Identify the expertise in the creative ideas… identify zones within your plan where you now have it down cold.
Know it more than what it takes to get into that plan. Consider:
———————————————————–
It was great to hear what James Rice had to say about the creative industry. As an Anthropologist, it was an interesting injection into a world of competing teams, creative ideas, and intense work methods. I look forward to seeing the future ideas that come out of the mind of James Rice and the Colaboratory members.
———————————————————–

photo credit: markhillary
Check out the blog of James Rice
And you can follow his Delicious Links.
Or you can follow James Rice on Twitter.
———————————————————–
If you liked this article, you may want to follow my updates on Twitter, or subcribe to this site’s feed.
Dezignus.com uses an orange construction to link the user to feedburner for RSS. RSS as symbol capable of being mutated into another form that seems completely unrelated except in color is a sign that the RSS has become so understood by Dezignus’s demographic that is can be alternately presented with no confusion to the user.

Incredible. This happened very quickly since the dawn of the RSS feed. “Although RSS formats have evolved since March 1999,[4] the RSS icon (”
“) first gained widespread use in 2005/2006″ (RSS - Wikipedia).