Refresh PortlandThe first ever Refresh Portland occurred tonight from 6:30 to 8:00 Pm at Jive Software in Downtown Portland.

Tonight’s speaker was Tyler Sticka, an award-winning designer, artist, speaker and educator specializing in identity-driven new media. He was extremely well prepared and engaging.

Micheal Sigler @sigler began by introducing the concept of Refresh.

“Cities have been Refreshing for a while,” he said, “if you visit RefreshingCities.com you’ll find that there are Refresh events everywhere.”

Refresh events serve bring people together who are really intereted in standards based design. The events help them exchange best practices and knowledge. As Sigler said, “towards a portion of design you can walk away with something and use it in your daily lives”.

We just felt that it was time to bring a little design love to Portland.

“We”, being Michael Sigler, @michaelsigler, John Weiss of 5 Edge Media, Josh Pyles @pixelmatrix of Pixelmatrix Design, Carlos @eedorre (a system admin with a background in web development), and you probably Bram Pitoyo @brampitoyo from Twitter. :)

We really want to make this a community where you provide us comments. Also, we are looking for speakers. Feel free to contact any of the organizers if you know of someone who would be awesome for the event.

“Tyler Sticka is now going to take us through the looking glass,” Sigler began….and we were off.

Through the Looking Glass - How the Web is and Ought to Be

“I work at US Digital from Monday through Thursday”, Sticka said.

“But on Friday though Sunday I design logos, icons, and websites.

“This is because I’m really addicted to the idea of creating something out of the vacuum. Unlike art on a all — art stuck up on the walls.

“Communication is one thing, but conversation is the idea of the dialogue — something that’s been absent from the world of fine art for a while.

“The idea that the Viewer is also able to impart part of their experience into the work fascinates me.

New media is the first to take this concept in completely literally.

Spine Tingling Adventures of the Early Web

Sticka picked two people from the audience and gave them scripts:

“Sam, you’re going to be playing the role of website”.

“And the other will stay the part of the user”.

Website: Would you like to talk about our product, our company history….ect.

User: Umm….talk about our product?

Website: Sure…would you like option 1, 2,3,4,,5,6,,457,,8,67,87?

User: Return to home?

Sticka: Do you see how short and unfulfilling that was?

The companies that weren’t having conversations were dying out.

“In reality, users benefited in the end.

Early Innovation in Experience Design

“I like to show Amazon.com when I talk about early innovation in websites. Their recommendations features is one of the best out there — still one of the best out there.

It’s like a sort of Nerd-tastic natural selection happened.

“This sort of word they gave it afterwards was web 2.0. I don’t like it very much.

The revolution in the computer industry had Three Basic Parts

1. Visual — websites before based on the constraints of html

2. Directly from graphic design. pretty, but only a thousand people card.

3. Thematic - we’re catering to the community and the conversational aspects. .

Example:

Flickr’s Upload Tool.

“Some might say we’re in a renaissance of information.

“But they’re wrong.

We’re not in a renaissance of information, we’re in the pupae stage.

“We’re now just starting to construct the cocoon that will allow us to emerge as something triumphant.

“The idea of this moving into the mainstream is more important than us understanding what’s going on.

(At this point I realized the screen that Tyler Sticka’s Powerpoint was being projected on was made of 8.5 by 11 sheets of white computer paper stuck to the wall. Way to innovate, Refresh Portland :)

“In essence we are just becoming more understanding of the customer and the customer more understanding of the creator.

Lets go back to 1995. A Simpler Time.

The browser wars between Netscape and the powerhouse Internet Explorer began to emerge.
There was this sort of idea that there should be one victor, that there should only be one IE, or Firefox.

He then showed a slide with 12 different browsers, ranging from the most known and used, to the least known and used. Starting with Firefox 3, then IE and eventually flock and Epiphany (for Gnome).

He said that he posted pictures of browsers that were used by people he knew. Even Epiphany.
“Because I know people who use Epiphany.
“Well, I don’t know them; they’re online; but its practically the same thing now.

He pointed out that Flock and Songbird are both browsers that are augmenting the browser experience in ways that really help the users.

Android

“Hopefully more agnostic choices will emerge for mobile browsing.

“Google has an open source Android emulator — they’ll subsidize the cost of the phone if people put ads on it.

“There is this blurring argument about what is application design and what is web design.

“Adobe Air (adobe integrated runtime). Chrome + Prism (both taking a browser-like approach)
All are trying to bridge the gap between web and desktop applications.

Confusing the Medium with its Voice

“We’re confusing the medium with its voice.. the medium of distribution.

“We need to realize the web is only distribution. It’s just distribution. As long as it remains open - a community of people developing things, it’s a thing of freedom — a whole pasture to run in.

We need to stop designing websites, and we need to start designing experiences.

“What were we really doing here ? Why was web design all one thing? There are many things. We are designing experiences.

Tip #1: Make Sure You’re Solving a Problem

“I have so many clients come to me. They have funding, or a team, or whatever, and we sit down over coffee and they tell me “all right, I want a myspace killer”.

“So I ask them, “Okay, what are you doing that’s different than Myspace?”

“The thing is, they don’t tell me anything different from what Myspace already is. I tell them that they have to do something different, or there’s nothing there.

“Google killers. There’s a new Google killer every day. Make something that solves a problem.

Tip #2: Try to do Straightforward Before Clever

“Google was straightforward. The Microsoft Office paperclip guy was clever.
But everyone hates that paperclip. Be straightforward.

“You want to say, “okay, we’re doing social networking — but we’re solving a problem”.

“That’s why LinkedIn was started, because nobody in the professional world wants tom as their first friend and hear about movies he likes.

Tip #3: Embrace Web Standards

“If you don’t know what these are, here’s a link to the World Wide Web Consortium (W3C).

“We’re going to have these browsers, and all of these mobile mediums. Do you really want to spend all of your time worrying about whether your thing works on one thing and not the other?

“I didn’t use web standards before. Once you get your feet wet into CSS - it just frees you up. Working in CSS is a wonderful experience for me — I look forward to it.

“We came here so that we could design these experiences for people to enjoy.
“And it will help you not get sued by those who are disabled.

“The State of California recently ruled in the victim’s favor on a Target usability case. It treated Target’s website as if it were an actual brick and mortar store. Target was penalized because it could not be accessed by those with visual disabilities.

Tip #4: Decide Which Distribution Suits you the Best

“Then you can use the master medium as a promotional or auxiliary arm to your business.

“We’re such a new medium, and we have such small visual language to ourselves right now.

“Give your site personality — people will have more and more relationships with their websites and their users experiences. If the enjoy the experience of your site, they’ll visit it.

Example: Ubiquity, by Mozilla Labs

“Web mashups and API’s used to reduce the distance between two points.

“Use open API’s. Google will release ways for you to join in a symbiotic relationship with its data.

“If you use a company’s API services, you’re benefiting from their design/development team, which may probably be larger than yours.

Ubiquity is a great example of a service that uses API’s to reduce user action.

“For instance, I can book a flight or search for pet care by simply writing a sentence to Ubiquity that tells it what I want to do. I can write that I want the information sent to my mom, dad, and sister by simply typing it.

“Ubiquity will parse out the language of simple sentences and combine the conventions that established in those to get things from multiple places done in one place.

Tip: #5: Remove Obstacles

“The conventions that should be broken are those that are obstacles to user interaction.

I like sites that allow me to try a service before I sign up.

Tip #6: Evolve with Your Audience

“One of the best examples of this is Twitter.

“Twitter started as micro-blogging: it was something between a blog and mass messaging. It was like mass chat.

If there is demand/audience — people will make a business plan around it, because there are people who need to use it.

I love the idea of users using something and evolving my product through their use of it.

“This could all be turned into television again. It could be controlled by a small number of companies who decide what we see and hear, and there’s a lot of precedent for that.” - Jamie Zawinski.

“We basically need to peer through the looking glass at the way users see our websites.

“Tyler finished the following quote:

Lewis Carroll said, “It’s poor sort of memory that only works backward — so here’s to the future”.

———-

That was it. Lots of applause. Really nice turnout. Very enjoyable experience.

Enough said. Tyler Sticka is brilliant. Check out his Website Experience at TylerSticka.com, or follow @tylersticka on Twitter.

And if you’re interested in the next Refresh Portland event, it’s tentatively scheduled for October 7, 2008. But check the Refresh Portland Blog as that date arrives for more information.

Refresh Portland on Upcoming! Other Exciting Events!

Refresh Portland will also be posted to Upcoming and is part of the Silicon Florist Upcoming Group headed by the awesome Portland Tech blog Silicon Florist, of course. If you join that group on Upcoming, you’ll really know what’s going on in Portland. And if you have an event that relates to Portland Tech, you can send it to the Silicon Florist group in Upcoming and reach an awesome audience.

———-

OakHazelnut.com is written by Cyborg Anthropologist from Portland who enjoys documenting innovative events such as this one. She’s generally findable on Twitter as @caseorganic.

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Volume Four of Portland’s Pecha Kucha Series was held last Tuesday, August 12th, 2008.

This particular session was located on NW 8th and Couch Street in artists place that was currently under construction. There was a random amalgamation of wooden benches on the floor facing a large presentation screen. The event was free, and so was free wine and beer. Not bad for a Tuesday night of entertainment!

At 6:30Pm the room was already filled to capacity. There is a large oriental carpet in front of the large projection screen, and the audience overflow is sitting on it.

What is Pecha Kucha?

Pecha Kucha is a Japanese word for the sound of conversation, or chit chat.
It is a presentation technique in which the presenter shows 20 images for 20 seconds each.
In this way, an audience can absorb a large amount of information very quickly, because interest is kept up by the rapid change of images and speaker engagement. It’s a way to remove the annoyance that a standard Powerpoint presentations often bring to standard meeting experiences.


Pecha Kucha Presentation Summaries

Andrew Brahe

Confluence Project

Brahe received his B.S. in Architecture from Portland State University, and he has a passion for ethical design and strives for a better way to build.

His presentation started with an audience participation exercise. He had the right side of the room begin to snap their fingers, and got the middle of the room to begin rubbing their hands together. He made the left side of the room made slap their thighs. Then he urged everyone to do their part faster and louder, until the place was filled with a great amount of percussive noise.

Then he made everyone stop.

There was dead silence and darkness; then the first slide showed up on the monitor.

The presentation involved architecture. One of the best slides demonstrated a beautifully formed pedestrian bridge that had been built over a freeway near Ft. Vancouver. He said that this bridge would be opened to the public soon.

The image of the land bridge spanning over the highway was intense. It looked as if green grass had grown all over the highway in an organic arch, partially eroding away the concrete. In reality, the bridge was allowing animals and humans a way to cross over previously impervious territory.

There were a number of other architectural projects shown, including a tall bird observation tower in the middle of the forest with a long ramp all the way to the top. Brahe is also employed as a project manager with Maya Lin (the architect behind the Vietnam memorial in Washington D.C.) on a multi-sited art and architectural installation.


Diane Jacobs and Karen Maurer

Visual Artists

This presentation detailed a future interactive installation at the Disjecta art space in North Portland. The show encourages viewers to “See, feel, open, and act”, and “Find words that begin to transform the present”.

“We abolished slavery, except as a punishment for crime”, the presenter said.

The pieces were about bridging the gaps in multicultural understanding in Portland. One of the most poignant lines: “Don’t let anyone forfeit untapped potential”.

The art show opens Saturday, the 23rd of August from 6-9 pm at the Disjecta. 8371 N Interstate Portland Oregon 97217.
Gallery Hours are Fri-Sun Aug 24-Oct 25 / 12-6 pm, and the Artists Talk is Wednesday, October 1st at 7 pm.


Bill Dieter

Industrial Designer, TERRAZIGN, Inc.

Bill Dieter started Terrazign, Inc., a Portland-based industrial design firm in 1994. The firm works primarily with fabrics and hard woods. His interest is in “integrating the worlds of hard and soft”.

Zippable Plywood Trade Show Booths

One of the first slides demonstrated a trade show booth for a snowboarding company. He was able to integrate zippers into the polished plywood panels to allow the tradeshow display to be zipped together into a study shape and unzipped
into an easily transportable shape once the trade show ended.

“This is the only time I’ve ever gotten splinters from sewing”, he added with a smile.

All Weather Segway Enclosures

He showed off other industrial objects from his firm, including an all-weather enclosure for Segways that made the little personal vehicles look even more ridiculous——>in a good way. Here’s a link to an article (and photos) of the invention on Engadget called Meep Meep.

Backpacks and Military Projects

The next series of slides ranged from inflatable car seats for toddlers (saving time, space, and weight), and Compression backpacks, which do pretty much the same thing while looking awesome at the same time.

He outlined some of the military projects the firm has worked on as well, including a backpack with a hydration frame that made water the structure of the pack.

“This solved the largest issue of military life, which is hydration”. Placing hydration at the center of the bag allowed the soldier the capability to modify what they needed, because the backpack was also modular.

Sparq Training Equipment

Terrazign created a series of collapsible hurdles for Sparq, a training division of Nike. They’re lightweight and foldable, and can withstand and structure serious training.

They also developed weight vests, which were made from monofilament fiber mesh that allows for air flow.

Vertical Treadmills for NASA

Perhaps the most interesting part of Dieter’s presentation involved images of NASA members training for space missions on vertical treadmills. The treadmills were developed by Terrazign to create artificial gravity and the ability to retain bone density while in space. The vertical treadmill is effective because of its capability to simulate gravity equal to body weight.

A group of guys that were playing a series of Mexican folk songs on guitars strode by the event space while we watched a man running on a vertical treadmill on the screen. It was a strange juxtaposition of elements that made the audience consider really what they were looking at.

You can see images of the Vertical Treadmill at the NASA Website.


Severin Villiger

Designer, Teacher

Severin began by telling us that he was going to do a presentation about Italian Airplanes. He was wearing a leather coat, airplane goggles, and a big black biker helmet.

Apparently, he was a Vespa enthusiast. He showed pictures of pinup women riding the bikes, and even had a whole series of them inside the presentation space. The entire presentation was developed with a zany Swiss accent, which made his ability to make the crowd laugh even greater.

Vespa Mania

“Who thinks a Vespa is a toy?” he smiled, “I don’t”.

He showed an image of his group of Vespa riders doing all sorts of interesting activities, and then one of his personal collection of Vespa bikes.

“The best thing about a Vespa scooter?” he stated, “You have four…or ten”.

Want to join the fun? Check out the Portland Vespa Group for more adventures.

Intermission


Matthew Packwood

Radio Producer

“I’m going to do a presentation on Contemporary Classical Music. It’s kind of an oxymoron. Contemporary and classical shouldn’t go together, but they really do”.

“I figured that it is rather difficult to talk about music, so I brought four pieces to share with you, all of which have something to do with Portland”.

He then began to play each piece. Each song had four slides associated with it - a title slide, a picture of what the often complex music looked like, an image of the composer, and an image of what the original cover of the pieces looked like.

These four elements caused a greater understanding of each piece than if simply the music had been played alone. The images of the composers were probably the most compelling of all of the images.

Piece One

Two Celebratory Fanfares (1995)
Composer: David Dzubay (b. 1964)
Performers: John Rommel, trumpet, Edmund Cord, trumpet, Thomas Brown, trumpet, Richard Sandals, trumpet, Amy Schendel, trumpet, Robert White, trumpet, David Dzubay, conductor.

Piece Two

Incidental Music to Corneille’s Cinna (1955-1957) whose cover looked like an old book.
Composer: Lou Harrison (1917-2003)
Performer: Linda Burman-Hall, tack piano.

Piece Three

theater of mineral NADEs [excerpt] (1998)
Composer: Eyvind Kang b. 1971.
Performers: Eyvind Kang

Here, Packwood showed an image of one of Kang’s conceptual sketches. It was as intense as the image of the composer. Extremely detailed and poignant. It told the story of the composer’s mind almost as well as the music.

Piece Four

Open up your Ears. Composer: Bryan Johanson.
Performer: David Starobin, Guitar.

This was an overwhelmingly beautiful piece, and it was a classical piece inspired by a line in the Jimi Hendrix song ‘Can You See Me?’.

Packwood’s presentation was excellent because he chose to let the music speak for him.

If you want to learn more, please check out Packwood’s site Art of the States.


Greg Barton

Designer, Hurricane Katrina Revisited

Greg received architectural training from Tulane University, RISD, and , most recently, the Bartlett in London. He has created exhibits and installations shown in venues from Tyron Creek to AIA Portland Gallery to the recent “PDXplore: Designing Portland” exhibit at PNCA. Before moving to England, Greg worked for Hoist Architecture.

Barton was attending Tulane University in New Orleans until Hurricane Katrina displaced his life. The event that caused 81 billion dollars in damages is still affecting the lives of many residents.

He reminded the audience that the hurricane has not finished its toll on the residents of New Orleans. There are 150,000 families still living in FEMA trailers, with an average of three per trailer. Many refugees live in FEMA villages, or “FEMA-villes”.

A far cry from the luxurious representations of trailers from the 1950’s in advertising, there are many health hazards present in trailer life. For instance, Formaldehyde exists in dangerous levels, and there have already been many C02 related deaths.

He then showed how pragmatic restraints began to reshape the public sphere. Some families had placed white picket fences or stone lions in front of their temporary/permament trailers in an attempt to trick their minds into feeling like they had an actual place to live.


Meghan Sinnot and Carl Larson

Advocates, SHIFT - Portland Biking Initiative

Meghan Sinnot came to Portland from Alaska and attended Lewis & Clark college to study Anthropology. Since it was way up on a hill, it was not easy for her to explore the surrounding Portland area without taking a long trek downtown on the college-supplied bus.

Then, Meghan discovered biking. Now she is an part of SHIFT, the Portland bicycle advocacy group.

She began the presentation by taking out a bike and pedaling on it while telling the room about her history.

“Who rode a bike here today?” she asked us. Many hands went up, including mine.

“What we do here at SHIFT is basically an ad-hocracy,” she stated, “but we do have a stash of cash in someone’s basement that they let us get at sometimes”.

She talked about the group’s attempts at serving breakfast to bike commuters on the bridges in the morning. And she talked about Critical Mass, Zoo Bombing, and Pedapalooza—a few of the great Portland bike events that serve the educate and create a nice ground for future bike advocacy.

“In Guadalajara,” she said, “there is one vehicle for every three citizens”.

You can find out more about Portland Bike Culture at shifttobikes.org.


TJ Norris and Chas Bowie

Artists

One of the presenters was masked, and the other unmasked. They talked about the modern condition, asking questions such as, “does the mask control the wearer?” (or does clothing or career control the subject?), and snapshot culture. Click Click Click Click Click Click. Tick tock, Tick tock.

I would write more, but I can’t really describe what they said in the way they did. I was very impressed though, so I am including some links to their work here.

Resources

Read more about TJ Norris, and his show at the New American Art Union. There’s also an article history for Chas Bowie at the Portland Mercury.

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Future Pecha Kucha Portland Events

I highly recommend attending any Pecha Kucha event. If you’d like to learn more about upcoming sessions in Portland or elsewhere, and possibly sign up to present, visit http://www.pechakuchaportland.org/.

For more information regarding ciyscope and upcoming events, please visit www.projectcityscope.org.

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Event Sponsors

W.PA - Works Partnership Architecture, LLC
Architecture Foundation of Oregon
FordGraphics
A to Z Wine Works (Delicious).
Quixote Investments (add this link).
Rogue Brewery
Art Institute of Portland

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We have a vision for 1 million new people moving into this city. How does design thinking work into this process? What are our hopes and dreams for Portland, and how can we build our city to realize them?

“In the Round: Collective Leadership” was the title of PDXplore #2, part of PNCA’s ongoing Idea Studios. From 6-9 Pm on July 22nd, some of the most active members of Portland’s community attended what would be an important first step in creating a lasting dialog for the intentional and mindful development of Portland’s maturing land and cityscapes.

The panel featured 10 members mayor-elect Sam Adams, Metro president David Bragdon, Hillsboro mayor Tom Hughes, Portland planning director Gil Kelley, and City of Gresham executive manager Alice Rouyere”.

The purpose of the panel was to bring clarity to the relationship between planning and design, while making the needs of a growing population known to important civic leadership. The idea was create a safe space for Elected Officials and Designers to speak about the challenges facing Portland and their vision for the future.

Read the rest of this entry »

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Notes on the Synthesis of Form. Christopher Alexander. Really widely applicable philosophy. Every architecture student is taught this, but hey are taught that it is very difficult to put these concepts into play, because it contradicts the institutional structures of architecture, because architects plan places beforehand in a very modular way.

Pattern Language

Christopher Alexander, an architect and author, coined the term pattern language. He used it to refer to common problems of civil and architectural design, from how cities should be laid out to where windows should be placed in a room. The idea was initially popularized in his book A Pattern Language.

Alexander’s book The Timeless Way of Building describes what he means by pattern language and how it applies to the design and construction of buildings and towns. However, the system has been used in many fields of design, from designing computer programs to designing a classroom curriculum.

The Oregon Experiment - his third book.

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